The paranormal young adult series by the director of Attack the Block is humorous, intellectual, and full of British charm. He is so skilled at fostering youthful talent.
Following the unprecedented success of Wednesday and Stranger Things, Netflix has ventured on another gothic young adult drama that is equally positioned to shape the complete personalities of vulnerable adolescents.
Lockwood and Co, developed by Joe Cornish, is a lore-heavy supernatural series set in an alternative modern Britain where a ghost plague has raged for fifty years and only children can see and battle them. In order to address “the problem,” there are ghost-hunting businesses managed by adults that employ children to identify the angry ghosts and destroy their “source.”
Despite the title, Lucy Carlisle (played by Ruby Stokes) is the main character, and much of the first episode is devoted to her genesis tale, beginning with her as a 12-year-old who can hear ghosts. Her mother forces her to work at an agency for adults since “your father left us with nothing when he drank himself to death”
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Lucy’s talents are exceptional, but when a job ends tragically, she travels to London in search of work and joins the new, teen-run agency of the dashing young Anthony Lockwood (Cameron Chapman) and his smart but depressed young colleague George (Ali Hadji-Heshmati).
Now, finally liberated from the tyranny of adults, the core mystery begins with Lockwood and Lucy armed to the teeth as they approach a haunted mansion, spouting one-liners and complicated mission strategies while staying unfazed by the horrors within.
“When I was your age, I was out chasing boys and having fun,” the elderly woman sadly declares to the two adolescents. This is a dreadful state for the globe.” Our young players’ eyes virtually roll out of their skulls as they retort sarcastically, “Cheerful soul… A true ray of light.” Much of the show’s language is similarly humorous, with lines that could be plucked from dreary Christmas meals where elderly relatives lament TikTok addiction.
Each member of the key trio delivers an impressive and nuanced performance, avoiding the traps of stereotypes that plague so many teen dramas. And rather than get bogged down in massive amounts of exposition to quickly define the laws of ghost hunting, the show prioritizes establishing who these folks are.
Ruby Stokes’s striking likeness to Florence Pugh serves her well, as she is capable of constructing a similarly outstanding filmography. Cornish, who is arguably still best known as Joe from Adam and Joe, demonstrates in his directorial debut Attack the Block that discovering John Boyega was no fluke, and that he has a genuine instinct for fostering young talent.
While Cornish does not revolutionize the genre, he avoids the soapy cheesiness of weaker young adult adaptations and generates an aura of prestige with witty repartee and graceful swordplay. Even though the industry of series about precocious kids facing the paranormal is oversaturated, it’s difficult not to envy the younger generation for being able to sink into frightening entertainment that is so unproblematically entertaining and humorous.
The show features references to the detective work of Sherlock Holmes, the archaic Victorian horror tales of MR James, and the occult sagas of Algernon Blackwood.
The series is a faithful adaptation of Jonathan Stroud’s novels and follows the events of the first two volumes. The first three episodes are based on The Screaming Staircase, while the last five are based on The Whispering Skull.
While this allows for two enjoyable binge-watching sessions, it causes severe pace issues in the latter episodes, with some of the twists being foreshadowed and our intrepid three narratively and figuratively treading water at moments.
Nevertheless, there are plenty of mysteries, sword fights, and jump scares, as well as some outstanding supporting performances from Ivanno Jeremiah as the no-nonsense Inspector Barnes and Luke Treadaway as The Golden Blade, who strike the ideal mix between comedy and solemnity.
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Appropriately for a drama about kids and their agency in every meaning of the word, the show never focuses excessively on the adult world. Lockwood & Co is a treat for young people who wish to be enchanted by ghosts and whimsy since it demonstrates intellect and respect for its source material, its characters, and its audience.
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FAQs
Is it worthwhile to watch Lockwood and Co?
Only endorse this great performance. Lockwood & Co certainly merit a second season, and I cannot wait for it. It may be one of the best shows Netflix has ever created. The world-building is unparalleled to anything I’ve seen on Netflix, and the settings are exquisitely crafted.
Who is Lockwood and Co. intended for?
The Netflix series Lockwood and Co. has been rated TV-14 in the United States and 12 in the United Kingdom, indicating that it is not suitable for children under those ages.