The premise of “Lightyear,” the twenty-sixth film from Pixar, is conveyed in the film’s opening title. Andy, the “Toy Story” protagonist, was apparently given a Buzz Lightyear action figure in 1995. This was due to the fact that he had seen and enjoyed a Buzz Lightyear film. This is the film “Lightyear”
There are numerous ways Pixar’s creative geniuses may have developed this premise. One envisions a Buzz Lightyear origin story in which he is a brazen young upstart through flight training. And since Buzz, in his curved plastic spacesuit with chartreuse trim and a bubble-shaped helmet, is the most futuristic of the “Toy Story” toys, one could see the film unfolding in the most deliriously Pixarian of sci-fi kiddie worlds.
However, “Lightyear” is a somewhat less ambitious film, as it is eminently ordinary and appealing. As the film begins, Buzz is essentially the Buzz Lightyear we already know: an enormously overconfident test pilot who is a talented flier but also a delicious egomaniac, too cocky for his own good, and prone to stunts he believes he can pull off just because OF Buzz.
he’s In the style of the “Star Trek” crew, Kirk and his crew have landed on a planet inhabited by thick, hostile vines and the occasional rusty robot. Buzz miscalculates when piloting the spaceship (which he nicknames “the turnip” because it is shaped like a turnip) out of a steep valley, destroying the ship by scraping it against a rock wall and leaving them all stranded on the desolate planet.
Buzz’s naive, I-can-do-anything attitude has obviously not succeeded for the first time. He believed that he was the center of attention. “Lightyear” is the film in which he learns to think and care about people, although it feels less like an origin narrative and more like the middle installment in an ongoing Buzz Lightyear adventure franchise.
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Buzz and his dependable squad of fellow space explorers struggle to escape the planet throughout the entirety of the film. First, he attempts to pilot his own rocket ship to hyper-speed, and although he fails repeatedly, he returns from each experimental mission only a few minutes older, while several years have passed on Earth.
This means that we follow the life of his friend and colleague, Captain Hawthorne (Uzo Aduba), as she marries (to a woman, which the film brilliantly does not make a great fuss about), has a kid, and passes away.
Her spitting-image granddaughter, Izzy (Keke Palmer), joins Buzz’s crew, along with Sox (voiced by Peter Sohn), a wonderfully matter-of-fact souvenir robot cat, Darby Steel (Dale Soules), a crusty criminal, and Mo Morrison (Taika Waititi), a walking nerve case.
Can they destroy the huge robot alien spaceship floating in the sky, which is presided over by a horned mega bot named Emperor Zurg (James Brolin) with red devil eyes? It turns out that the identity of this nefarious droid is far closer to home than anticipated. And “Lightyear” is brimming with wonderfully entertaining chases and escapes, as well as amusing gadgetry, such as Buzz’s loathing of the autopilot IVAN, and a clever joke about the origin of the sandwich.
The film is a winning distraction on its own terms of eagerness to please. Given that it’s a spinoff of the “Toy Story” series, which is the finest and most enduring achievement in modern animation, it should be mentioned that this is one of those Pixar films that feels like it has 50 percent Disney DNA.
A confession: the first time I saw “Toy Story,” before I knew who the voice performers were, I assumed that Buzz, with his gorgeous protruding chin and crazy assurance, had the appearance and voice of George Clooney; I was startled to discover that he was portrayed by Tim Allen.
Allen has portrayed Buzz with an inimitable blend of heroism and narcissism in all three sequels, yet I still think of him as Clooney-like. In “Lightyear,” though, he is voiced by Chris Evans, who does a commendable job of reproducing Buzz’s pilot-as-game-show-host-of-his-own-legend image, but with a bit less of that Allen snap. The character appears to be less amusing and a touch more ordinary.
Buzz is never in on the joke that he’s a toy in the “Toy Story” flicks. He believes himself to be a Space Ranger! When Buzz Lightyear is transformed into a Space Ranger, he is both enlarged and shrunk. You muffle his chatter. Buzz attempts to return to his life of space exploration throughout the entirety of the film. With his pals surrounding him, he is unaware that he is already home.
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This is a heartfelt, albeit typical, message, but I couldn’t help but agree with Buzz that despite “Lightyear’s” strong entertainment value, it feels like he belongs in a more special film. It begs the question: Will “Woody’s Wild West” be next? Because this appears to be an attempt, motivated by pure spin-off opportunism, to remove the toy and perhaps the fun from “Toy Story.”
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Who is the Girlfriend of Buzz Lightyear?
Jessie the Cowgirl is the trilogy’s third protagonist. She is the girlfriend of Buzz Lightyear. She made her debut in Toy Story 2.
Will Lightyear Become a Trilogy?
In an interview with Gizmodo, “Lightyear” director and co-writer Angus MacLane explains that “Lightyear” is a sci-fi film that Andy views at some time in the “Toy Story” universe and that it is the third installment in a trilogy.
Does Lightyear Have a Secret Ending?
Lightyear contains three distinct post-credits scenes. The first are merely jokes, but if you wait until after the Disney and Pixar logos, you’ll see Buzz’s infamous foe Zurg drifting into space. He then awakens abruptly. It is a transparent setup for the sequel.