The most straightforward approach to begin a review of Alice Oseman’s Netflix series Heartstopper would be to compare it to Sam Levinson’s HBO phenomenon Euphoria.
The new romantic teen drama, with its candy-colored palette, frantic speed, and pointed use of needle drops, provides an intuitive counterpoint: In contrast to Euphoria, whose interest in adolescent emotions is based on an exaggerated nihilism, Heartstopper is a coming-of-age novel distinguished by its sweetness.
I do not intend this in a derogatory manner. The melody of Heartstopper is seductive. Oseman (who also authored the webcomic on which the show is based) strives for authenticity. Her characters handle recurring issues with a high degree of care.
They replace cruelty with curiosity and impatience with patience. The series opts for restraint and understated comedy, allowing its central teachings to breathe. It is a low-key viewing experience that lingers long beyond the end credits.
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Charlie (Joe Locke) and Nick (Kit Connor) have distinct positions at their British all-boys grammar school. The former is a slightly awkward, chronic apologizer, whereas the latter is the popular, self-assured rugby team captain. In math class, they establish a cordial rapport based on polite greetings and small discussions about their weekends. Their romantic attraction is apparent, at least to Charlie. Nick, on the other hand, is somewhat slow to grasp the situation.
Heartstopper is less about coming out and more about struggling with self-definition and queer identities. Nick cannot comprehend his first attraction to Charlie, who came out as homosexual the previous school year. What he does know is that this youngster, with whom he previously shared lunch breaks with his teacher (Fisayo Akinade), makes him feel most like himself.
Charlie and Nick naturally become great friends, which unnerves Charlie’s two oldest friends, Tao (William Gao) and Isaac (Tobie Donovan). Tao, who has witnessed Charlie’s cycle of infatuation with closeted students at their school, is particularly suspicious of Nick and his intentions.
Underlying this skepticism is a bigger fear of change. Since their transgender closest friend Elle Yasmin Finney went to the nearby all-girls elementary school, the group dynamic has changed.
Heartstopper is fascinated with change – its distinctiveness, its weight, and the manner in which it looms large in the imagination of adolescents.
The manner in which the show investigates this issue makes it the most exciting to watch. We’ve all been suffocated by the possibility that the lives we’ve constructed, the categories we’ve forced ourselves into, and the identities we’ve chosen to enact no longer make sense. Or, much worse, they never did.
Nick initially encounters this identity problem with reluctance. As he spends more time with Charlie, who eventually joins the rugby squad, he begins to experience personal transformation. In the privacy of his bedroom, he Googles inquiries such as “am I gay?” and “how do you know if you’re bisexual?” as he investigates his queer identity.
Heartstopper honors these moments and smoothly incorporates them into the dialogues Charlie starts with Nick about his own sexuality. Armed with knowledge, a new Charlie emerges: He is not ashamed of who he is, but he wishes he could explain it better.
Other members of the friendship circle struggle with their own transformations. Elle initially finds it difficult to make friends at her new school until she forms a giggly trio with Tara (Corinna Brown) and Darcy (Kizzy Edgell). Tao, who carries a phobia of abandonment, cannot accept that his friends are going on with their new loves and lives.
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Director Euros Lyn and cinematographer Diana Olifirova use dazzling and vibrant visual language to convey the stories of each of these folks. All of this is supported with a sense of whimsy, reminiscent of Josephine Decker’s recent Young Adult film The Sky Is Everywhere. The composer and music supervisors of Heartstopper should also be commended for loading the performance with music that will certainly spawn many gifs and “best of” videos.
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Why Does Everyone Have a Fixation on Heartstopper?
I believe that one of the reasons that Heartstopper is so well-liked is because it feels authentic, despite its focus on love, joy, and happiness. It gives the positive aspects a sense of realism and demonstrates that they can be realism.
is It Inappropriate to Watch Heartstopper?
Teens passionately kiss, but there are no sex or nudity scenes.
Can Adults Enjoy Heartstopper?
Heartstopper, the Netflix adaptation of Alice Oseman’s LGBT British teen romance based on her own graphic books, is a must-see for all ages.