In addition to Sandra Oh and Jodie Comer from Killing Eve, David Tennant and Michael Sheen are currently the most magnetic pair of protagonists on television. But Good Omens also boasts a delightfully deep ensemble, including a number of hilariously spot-on appearances from performers who appeared to be having a tremendous amount of fun while filming this limited series (spoilers forthcoming) (though a second season is not off the table).
Nutter, Witch, by renowned authors Terry Pratchett (Discworld) and Neil Gaiman (American Gods, The Ocean at the End of the Lane), both of whom are fantasy legends (and Gaiman beyond), Good Omens was a labor of love that finally came to fruition, according to Neil Gaiman, because one of the last things Terry Pratchett told him before he passed away in 2015 was to ensure a film adaptation was made.
It finally has, with tremendous world-building fantasy glee, as Gaiman wrote all six episodes and guided the complex (and amusing) plot to a conclusion that works as a full finale if he does not want to write a second season (Gaiman has many projects) and as a pause before a sensible second season.
Douglas Mackinnon (Sherlock, Doctor Who, Line of Duty) directed the entire series, providing it with visual flair and visual humor when the fantasy elements require it. The final product is an easily digestible, creative accomplishment that never falters in its pursuit of enjoyment.
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Good Omens is largely the story of Aziraphale (Sheen) and Crowley (Tennant), two angels who guard the Garden of Eden and parody (and disprove) biblical concepts.
Crowley (previously Crawly when he was a snake) rapidly became a fallen angel and is now, well, a demon, as evidenced by inventive flashes both ahead and backward in time.
He serves Satan, whilst Aziraphale serves God, and both are ambassadors on Earth, which, as you know, is merely a testing ground for people and the prelude to the ultimate battle between heaven and hell, good and evil.
Aziraphale and Crowley come to the realization that it may not matter what they do as the great plan, which Aziraphale describes as “indefinable” un some aspects, progresses through the centuries to its beginning with the birth of the antichrist and the end of the world.
After years of effectively sitting on the shoulders of humans, either urging them to do wrong or preventing them from doing so, Crowley observes, “So we’re both working very hard in moist locations, and we’re simply cancelling each other out.” It would be simpler if we stayed at home.
Consequently, the two become first complicit in a plan to cover for one another and make their long lives simpler. Afterward, they become friends. They then become the closest of friends. After watching all six episodes of Good Omens, it is not difficult to think that this is one of the most compelling, passionately portrayed (though chaste) gay love tales in television history.
In the meantime, this friendship is amusing, with Sheen’s Aziraphale becoming something of a legendary gourmet (once nearly falling victim to the guillotine when he left England for a good meal in France) and Tennant’s Crowley becoming something of a glamorous rock star, dressed in all-black, driving fast cars, and finding creative if not particularly painful ways to torture humans (like the M25, the London Orbital Motorway, which is a traffic nightmare, or knocking out cell reception periodically in all of England, etc.)
In hell, Satan’s servants are disgusting, with peeling skin, swarms of flies or other animals on their heads, and drab, smelly attire, whereas Crowley is all swagger and sophistication. It turns out that both angels and demons love Earth and the people who are constructing things on it. Therefore, they wish to safeguard it from impending doom.
The major plot of Good Omens concerns the birth of the antichrist 11 years ago and how the plan to switch the baby of an American ambassador (Nick Offerman) with the antichrist fails due to a series of “human” mistakes. The story also features the most prescient and accurate witch ever (performed to many wry smiles), who guides her forefathers and many others in this location.
It is difficult to explain the whimsical decisions that Pratchett and Gaiman made in the novel, and revealing too much of the plot might ruin the ensuing enjoyment (though this series, thanks to Gaiman, never seems too complicated and each new twist is often absurd enough to just go with).
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Aziraphale reports to the Archangel Gabriel (Jon Hamm), while Crowley reports to Beelzebub (Anna Maxwell Martin), while being tormented by one of hell’s watchers, Hastur (Ned Dennehy), who correctly guesses that Crowley isn’t spreading evil and converting people on Earth as he should.
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Does Good Omens’ Crowley Identify as Nonbinary?
Crowley and Aziraphale “don’t identify as males” and “usually present as males,” he stated in July, leaving no space for argument. Crowley and Aziraphale, along with each of the 20 million demons and angels, are undoubtedly nonbinary.
What is Parodied by Good Omens?
The book is a comedy and a quasi-parody of the 1976 film The Omen, as well as other books and films in the same genre. It is about the birth of Satan’s son, the arrival of the End Times, and the attempts of the angel Aziraphale and the demon Crowley, who have grown accustomed to their comfortable situations, to avert them.
Is Viewing Good Omens Worthwhile?
There is no doubt that that is a magnificent performance. It is heaven-sent and hellishly good entertainment. Despite the fact that [David] Tennant and [Michael] Sheen are tremendously captivating, their chemistry is buried in a tale that makes little sense. The greatest accomplishment of Good Omens is not its humorous tale of the end of the world.